Look at you. You're young. And you're Scared. Why are you so scared? Stop being so paralyzed. Stop swallowing your words. Stop caring what other people think. Wear what you want. Say what you want. Listen to the music you want to listen to. Play it loud as fuck. Go out for a drive at midnight and forget that you have school the next day. Stop waiting for friday. Do it now. Take risks. Tell secrets. This life is yours. When are you going to realise that you can do whatever you want?
Sunday, June 20, 2010
KARTEL X MOSCHINO
Friday, June 18, 2010
Thursday, June 17, 2010
R.I.P fashion photograph Richard Bailey
Australian fashion photographer Richard Bailey has sadly passed away at 52 after losing his battle with cancer. Bailey's longstanding relationship with Vogue Australia - who he first worked with at age 21 - saw him shooting iconic celebrity covers featuring Nicole Kidman, Cate Blanchett and Miranda Kerr. Bailey was also hugely prolific internationally, shooting some of the biggest names in the business including Gisele and Jessica Stam, as well as many of the original supermodels: Claudia Schiffer, Helena Christensen, Naomi Campbell, Linda Evangelista...
One of his most memorable shoots was the controversial 'Death Machine' wall calendar he did for Ksubi (then Tsubi) in 2004. The images featured amazing colour-saturated shots of half naked models hanging out with pokies and motorbikes - accompanied by a poem written by Bailey and Ksubi designers Dan Single and George Gorrow entitled 'Roadkill, Heroin and My Death Machine'. It's still considered one of the more iconic and infamous shoots in Australian fashion publishing. Some images are included below and are NSFW.
He worked for a number of publications from GQ to Elle to Vanity Fair.
Richard Bailey will be remembered as one of the respected and admired men in his profession and is survived by his wife Gillian and children Jasper, 13, and Billie, 10.
R.I.P.
all from pedestrian.tv
One of his most memorable shoots was the controversial 'Death Machine' wall calendar he did for Ksubi (then Tsubi) in 2004. The images featured amazing colour-saturated shots of half naked models hanging out with pokies and motorbikes - accompanied by a poem written by Bailey and Ksubi designers Dan Single and George Gorrow entitled 'Roadkill, Heroin and My Death Machine'. It's still considered one of the more iconic and infamous shoots in Australian fashion publishing. Some images are included below and are NSFW.
He worked for a number of publications from GQ to Elle to Vanity Fair.
Richard Bailey will be remembered as one of the respected and admired men in his profession and is survived by his wife Gillian and children Jasper, 13, and Billie, 10.
R.I.P.
all from pedestrian.tv
Wednesday, June 16, 2010
I fancy the hip rock 'n' roll scenester
I wanna be fucked and then rolled over
Cause I'm an independent woman of the 21st century
No time for knits, I want sex and debauchery
I read glamour & the guardian
I like flowers & I'm hardy & I take cocaine
I don't give a fuck about her I want your name
I can get fucked like the best of men
Like the best of men Like the worst of pain
Inflicted on another young girl again
Impressed by another guitar hero
He's a top score & you're a zero
You're out of your league
There ain't no rubber on the tracks it's gravel
You fall hard, cut quick and it's an STD, a cut knee
You're a side of stage grasp, a laugh
An aftershow party in a bath
Fucked and expected to be fucked
A gasp from an uninformed intruder
The crowd go wild and things get ruder
They're already out of hand and there's no-one here
To take your hand. It's a cold shower and a scramble
For a dirty pair of knicker, don't get yours mixed up with hers
Now get out of bed, get out of bed, get out get out get get out of bed
Get up, get down & get undressed! Cause that's what you
Do best, strip, strip strip n shag, fuck get fucked 'n drag,
And be impressed, by the better sex, take a piece of raw
Vegetable and hold it to your breast and say you stood
For nothing. You were just a hole that lacked passion,
Another undegnified product of society. That girl
Should have been a mansion.
Kate nash
I wanna be fucked and then rolled over
Cause I'm an independent woman of the 21st century
No time for knits, I want sex and debauchery
I read glamour & the guardian
I like flowers & I'm hardy & I take cocaine
I don't give a fuck about her I want your name
I can get fucked like the best of men
Like the best of men Like the worst of pain
Inflicted on another young girl again
Impressed by another guitar hero
He's a top score & you're a zero
You're out of your league
There ain't no rubber on the tracks it's gravel
You fall hard, cut quick and it's an STD, a cut knee
You're a side of stage grasp, a laugh
An aftershow party in a bath
Fucked and expected to be fucked
A gasp from an uninformed intruder
The crowd go wild and things get ruder
They're already out of hand and there's no-one here
To take your hand. It's a cold shower and a scramble
For a dirty pair of knicker, don't get yours mixed up with hers
Now get out of bed, get out of bed, get out get out get get out of bed
Get up, get down & get undressed! Cause that's what you
Do best, strip, strip strip n shag, fuck get fucked 'n drag,
And be impressed, by the better sex, take a piece of raw
Vegetable and hold it to your breast and say you stood
For nothing. You were just a hole that lacked passion,
Another undegnified product of society. That girl
Should have been a mansion.
Kate nash
Tuesday, June 15, 2010
Monday, June 14, 2010
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